Movies

Naomi Watts sits up in bed, the covers slipping off. She gets out of bed, her bare butt fully visible as she stands up completely naked. She grabs a robe and slips it on, tying it loosely. Then, she strolls out onto a balcony. Turning around, she spots a guy on the balcony next door. With a bold move, she unties her robe and opens it wide, revealing her left breast and bush, full-frontal flash. This scene is from the 2009 movie Mother and Child.

Naomi Watts is lying on her back in bed, touching herself. She slides the sheet down slowly, showing her bare breasts. One hand moves across her chest, rubbing her skin, while the other slips between her legs, exploring her body. In another scene, Naomi Watts stands fully naked behind a thin, see-through shower curtain. Water runs down her body, dripping over her wet breasts and down to her bushy pubic hair as she washes herself, her hands sliding over her slippery skin. Then, Naomi Watts unbuttons her shirt, letting it fall open to reveal her right nipple. She grabs a guy’s hand, pulling it toward her chest, pressing his fingers against her breast as she looks at him. In a different moment, Naomi Watts is near a fireplace, wearing a loose, open shirt. She shrugs it off her shoulders, letting it drop to expose both breasts fully. She turns to face a guy standing nearby, her nipples catching the warm glow of the fire, then walks toward him with slow, confident steps. Finally, Naomi Watts is kissing a guy passionately next to the fireplace. Their hands are all over each other. He tugs at her panties, playing with them, before they start having sex. First, Naomi climbs on top, straddling him and moving her hips. Later, they switch, and she ends up in his lap, pressing her naked breasts against his chest as they finish, bodies close and sweaty. This is from the 2003 movie Gross Misconduct.

In the 2003 movie 21 Grams, Naomi Watts reveals her stunning nipples and naked breasts in a steamy scene where a man grabs and sucks on them while pleasuring her orally. Soon after, she climbs on top of him, and they have passionate sex. In another moment, Naomi Watts is shown sleeping topless in bed, lying on her side with her left breast peeking out from under her arm, fully exposed. Later, she’s seen sitting at the edge of a bed, still topless, her beautiful breasts on display before she slips into a pink shirt.

In a scene from the 2009 movie Mother and Child, Kerry Washington is fully nude, lying on a bed beneath a man during a sex scene. Her right breast is visible several times as she wraps her legs around him, pulling him closer. While this is happening, the phone rings, and an answering machine picks up, with someone leaving a message in the background.

Cristin Milioti stands naked in a bathroom, squeezing her breasts together with her arms as she tries to cover her body. She then steps slowly into a bathtub, letting us see her bare butt as she moves. In another scene, Cristin Milioti, known from How I Met Your Mother, swims completely naked underwater in a pool, showing her breasts and pubic hair clearly. Later, she floats in the water next to another woman, her body still exposed, before swimming underwater again, giving a full view of her ass once more. These moments are from the 2009 movie Year of the Carnivore.

In the 2021 movie Rien à foutre (also called Zero Fucks Given), Adèle Exarchopoulos plays a character who takes some bold selfies. At first, she’s lying on her side, snapping pictures with her phone, showing just a hint of cleavage—her breasts still partly covered. She sends these to a guy she’s texting. He messages back, asking for more revealing shots. She sits up at the edge of the bed, letting her top slip down to fully expose her bare breasts. She poses playfully, sometimes folding an arm across her chest to tease, but then accidentally drops the phone mid-shot. Later, there’s a scene where she’s lying on her back, relaxed, with her right nipple clearly visible as the camera lingers for a moment.

Adèle Exarchopoulos is stretched out on her back on a boat’s deck, kissing a man passionately. She’s dressed in a small bikini, and the man runs his hand over it, slipping it aside to reveal her right nipple. Next, he slides his hand down between her thighs, touching her intimately while her bikini bottoms stay on. This scene is from the 2019 film Sibyl.

Adele Exarchopoulos stars in the movie "Revenir," which came out in 2019, and it includes some hot and steamy scenes. In the film, you can catch her in multiple spicy, erotic moments and full-on sex scenes that are sure to grab your attention. The actress doesn’t hold back, flaunting her stunning figure with great cleavage and a curvy, eye-catching body in a bikini that shows off all her best assets.

Adèle Exarchopoulos, known for her role in Blue Is the Warmest Color, is seen kissing a man passionately in a scene from the 2015 film Les Anarchistes. As they kiss, he starts to undress her, sliding her top down slowly. This exposes most of her right breast from a side angle. After a moment, he turns her around and gently lays her down on her back, continuing the intimate moment.

Adèle Exarchopoulos, known from Blue is the Warmest Color, wears only a tight grey tank top that clings to her body, revealing a hard nipple poking through the fabric. She sits on the edge of a kitchen stove, her legs spread apart, while a guy stands between them. They’re having sex, his hands gripping her hips. From the side, you can see her bare legs—smooth and tanned—and her naked butt as she shifts slightly on the stove’s edge. In another scene, Adèle Exarchopoulos is in a bathtub. First, she lies on her stomach, the water lapping around her bare back and the curve of her butt just above the surface. Then she flips over onto her back, her bare breasts visible through the clear water, moving slightly as she breathes. Later, Adèle Exarchopoulos is on her back again, this time on a cold tile floor. She and a guy are frantically pulling off each other’s clothes—her shirt gets yanked up, his pants shoved down. Once they’re naked, they start having sex right there. Adèle moans loudly, her voice echoing off the tiles, while the guy’s hands grab her breasts roughly as he moves on top of her. This is from the 2015 short film Apnée.

Adèle Exarchopoulos starts taking off her clothes, first showing her bra. She turns her back to the room, unhooks her bra, and lets it fall. Her bare back is visible, smooth and uncovered, before she spins around. She covers her breasts with her hands, but her left nipple peeks out for a moment until she shifts her hand to hide it better. In another scene, Adèle pulls her shirt up over her head, showing her bare back again. She turns to face forward, now completely topless, and sits down. A group of people in the room stares at her exposed chest, her breasts fully in view as she settles into the chair. Then, Adèle leans over a desk in a classroom. Her pants are yanked down to her thighs, revealing her bare butt from the side. A guy stands behind her, thrusting into her as they have sex, her hips pressed against the desk’s edge. In a different moment, Adèle lies flat on her back on a bed. A guy lifts her shirt and bra together, exposing her breasts. He leans down, squeezing them with his hands and kissing them, his lips brushing her skin. Then he moves lower, out of sight, going down between her legs. Adèle moans loudly, her body tensing as he pleasures her with his mouth. Finally, from the 2016 movie Éperdument (also called Down by Love), Adèle Exarchopoulos, known from Blue Is the Warmest Color, is naked on a bed. She’s on her back, legs apart, as a guy has sex with her. Her bare breasts bounce slightly with each movement. When they’re done, she stands up, fully nude. Her bare butt is clear to see—round and uncovered—as she walks to the bathroom. She steps into a pair of panties, sliding them up her legs, then grabs a shirt. As she pulls it on, she glances over her shoulder at the guy, her eyes catching his for a second before she turns away.

Adèle Exarchopoulos, the actress from Blue Is the Warmest Color, is fully naked under a man while they have sex. Her right breast is clearly visible from the side for a moment before it gets hidden behind the guy’s arm as they move. In another scene, Adèle is naked again, seen from the side, having sex with a guy inside a trailer. When they’re done, she stands up, letting us see her breasts plainly—full and natural—before she turns. Then, from the other side of the trailer, we watch her pull on her pants, her bare butt showing off its curves as she bends slightly to get dressed. In a different moment, Adèle is lying on her back on a bed, wearing just a thin tank top. A guy is on top of her, having sex with her, then stops for a bit while still lying over her body. When he shifts away a little, her nipples poke hard against the tight shirt, standing out clearly. The guy grabs her by the waist and lifts her up, her butt pressing against him as we see it from the side—round and firm—while they’re still close together. This is from the 2017 movie Le Fidèle (also called Racer and the Jailbird).