Movies

Morena Baccarin passionately kisses a man on the wooden stoop of a house, their bodies pressed together as she backs against the door frame. They begin having sex standing up, her hands gripping him tightly. Morena moans loudly, her dress being hiked up to expose her stockings as they move together. This scene is from the 2009 movie Stolen (also known as Stolen Lives).

Maria Vazquez appears nude in the 2023 film Matria, where she boldly showcases her bare breasts. Additionally, you can see her breasts in a bra in other scenes.

Mädchen Amick is on her knees on the floor, dressed in a robe, when a guy lifts her up and starts kissing her passionately. As he wraps his arms around her, the robe slips open, giving us a glimpse of her naked body underneath. She then reclines on the bed, wearing only a pearl necklace, as she and the guy begin to have sex. First, she’s on her back, then she rolls over to straddle him, her stunning breasts fully visible as she rides him with confidence. After they finish, Mädchen lies beside him in bed, her legs bare and the sheets only partially draped over her. The scene shifts to a final moment of them together, with Mädchen on her back again and the guy on top, having sex once more. Later, Mädchen Amick flaunts her incredible breasts as she rolls around nude in bed with him. Eventually, she rises and walks naked toward the bathroom, revealing her bare ass, then turning to face the camera, showing off her bush in full view. This is from the 1993 movie Dream Lover.

In the 2020 movie Tigers (AKA Tigrar), Frida Gustavsson, known for her role in Vikings: Valhalla, appears topless as she lies in bed beside a man. The two gaze at their feet while chatting. She then shifts to sit on the edge of the bed, scrolling through a phone. Moments later, she reveals her pink panties as she lies back down with the guy, eventually settling on her back.

Ana de Armas stands facing a man, her fingers working to unbutton her dress. She lets it slip off her shoulders, exposing her bare breasts. The man drops to his knees before her, hooking his fingers into her panties and sliding them down her legs. He begins to go down on her, his head between her thighs. The scene shifts, offering glimpses of her breasts and the curve of her ass as he scoops her naked body into his arms, carrying her to a bed. There, she climbs atop him, straddling his hips, and they have sex, her body moving rhythmically. Afterward, Ana rises from the bed, still topless, her breasts visible as she retrieves her dress. She slips it back on, buttoning it up slowly while standing beside the bed. This is from the 2020 movie Sergio.

In a scene from the 2016 movie Hands of Stone, Ana de Armas is on a bed as a man begins undressing her, slowly peeling away her clothes until she’s left in a blue bra and matching panties. The camera lingers as she sheds the lingerie entirely, revealing her bare breasts and a glimpse of her butt while she strikes a pose for the man to snap a photo. Moments later, after they have sex, she climbs into his lap, one arm draped around his shoulders, her body pressed close. In another sequence, Ana de Armas wears a pink high-cut bathing suit that accentuates her figure, exposing a generous portion of her butt. She leads a man into a bedroom, her movements confident as she straddles him, letting a fur coat slip dramatically from her shoulders to the floor. The scene shifts as she rolls beneath him, their bodies entwined, before she slides to his side. Eventually, she ends up lying on her stomach beside him, the angle offering another clear view of her butt.

Ana de Armas appears nude in the 2007 film El Edén Perdido. In the movie, she exposes her bare breasts.

In the 2011 short film Ánima, Ana de Armas appears naked as she walks toward a man in a workshop. The camera provides a close-up view of parts of her body, and her breasts are visible when the man lifts her and places her onto a table. Additional close-up shots follow as he glides his hand across her bare skin, though the scene avoids showing any further nudity beyond that point.

Ana de Armas, known from Knock Knock, steps out of a bedroom in just a bra and panties, her curves on full display as she moves into a closet to pick out a dress. In another scene, Ana de Armas wakes up in bed wearing sexy white panties and a thin white shirt that clings to her body, revealing some cleavage and a glimpse of her lower butt as she rolls over, sits up on the edge of the bed, and stands to walk into another room. Later, Ana de Armas sits on a bed with a guy, sipping drinks, before she peels her shirt over her head to reveal a black bra, showcasing her ample cleavage as she faces him with one knee bent and pulled up. Finally, from the 2014 movie Por un puñado de besos (aka For a Handful of Kisses), Ana de Armas lounges in a bathtub filled with milky water, her nipples briefly slipping into view as a guy leans over to kiss her passionately. He then climbs into the tub with her, and they continue making out, the steamy moment intensifying.

Penelope lies on a bed, her pokey nipples visible through her shirt for a fleeting moment as a guy tugs her pants off. She waits for him, then wraps her legs around him as they have sex, her shirt and socks still on. In another scene, Penelope Cruz shares a moment with a guy who kisses her while sliding her dress down, then removes her bra, revealing her bare breasts. He kisses his way down her stomach, and she leans back against a post as he presses his lips to her right breast. They move to a sofa, where they have sex, the guy positioned on top of her. Afterward, there’s a brief glimpse of Penelope lying on her stomach, her left breast partially visible as she props herself up on her elbows, fully naked. In a different moment from the 2012 film Twice Born (AKA Venuto al mondo), Penelope Cruz is seen lying on her back, viewed from above. Her shirt is pulled up, exposing her right breast, while her left nipple pokes through the fabric. She holds a baby on her stomach.

In the 2016 movie Deadpool, Morena Baccarin appears in a steamy sex montage. She’s briefly topless while riding a guy, her breasts visible as he reaches up to grab them with her hands guiding his. The scene also offers a side view of her bare butt while she’s on top, followed by a shot of her in a lacy bra as the guy goes down on her. In another moment, Morena lounges in bed wearing a red Christmas sweater paired with just black panties, her legs on display as she chats with the guy. She then kneels before him, kissing him passionately, before lying on her side—giving a peek at her butt again—while he steps out to the bathroom.

Morena Baccarin is fully nude as she initially lies on top of a man in bed, revealing her bare butt and breasts while engaging in conversation with him. She then rises and walks into a living room, kneeling before the man as he sits on a couch. Morena displays ample views of her bare breasts, followed by a brief glimpse of her pubic hair as she slips into a pair of panties and starts dressing. Later, Morena Baccarin is seen lying naked in the man's arms in bed, exposing her bare butt from a side angle and her breasts as he slides his hand up her body from behind. The scene shifts to Morena viewed from the man's perspective as she straddles and rides him. This is from the 2008 film Death in Love.