Adèle Exarchopoulos starts taking off her clothes, first showing her bra. She turns her back to the room, unhooks her bra, and lets it fall. Her bare back is visible, smooth and uncovered, before she spins around. She covers her breasts with her hands, but her left nipple peeks out for a moment until she shifts her hand to hide it better.

In another scene, Adèle pulls her shirt up over her head, showing her bare back again. She turns to face forward, now completely topless, and sits down. A group of people in the room stares at her exposed chest, her breasts fully in view as she settles into the chair.

Then, Adèle leans over a desk in a classroom. Her pants are yanked down to her thighs, revealing her bare butt from the side. A guy stands behind her, thrusting into her as they have sex, her hips pressed against the desk’s edge.
In a different moment, Adèle lies flat on her back on a bed. A guy lifts her shirt and bra together, exposing her breasts. He leans down, squeezing them with his hands and kissing them, his lips brushing her skin. Then he moves lower, out of sight, going down between her legs. Adèle moans loudly, her body tensing as he pleasures her with his mouth.

Finally, from the 2016 movie Éperdument (also called Down by Love), Adèle Exarchopoulos, known from Blue Is the Warmest Color, is naked on a bed. She’s on her back, legs apart, as a guy has sex with her. Her bare breasts bounce slightly with each movement. When they’re done, she stands up, fully nude. Her bare butt is clear to see—round and uncovered—as she walks to the bathroom. She steps into a pair of panties, sliding them up her legs, then grabs a shirt. As she pulls it on, she glances over her shoulder at the guy, her eyes catching his for a second before she turns away.